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Alexander
Kinmont
Alexander
Kinmont is a provocative figure among the Japanese financial community.
Never afraid to take a definitive stance, Mr. Kinmont’s comments
on the Japanese economy are widely quoted in such publications as
the Financial Times, the Dow Jones and the Nikkei
Shinbun. Mr. Kinmont’s report, “The Irrelevance of Japan” (19
December 2002), attracted worldwide attention for his outspoken
stance that “today Japan is of no general importance except as a
laboratory experiment concerning deflation.”
A British
national, Mr. Kinmont has over a dozen years of experience in Japanese
equities. Prior to his work in equity strategy at Nikko Salomon
Smith Barney Ltd, he worked for ten years at Morgan Stanley as a
Japanese equity strategist and early as a real estate and railway
equities analyst at Credit Lyonnais Securities. He began his career
at Daiichi Securities in 1985. He has also been highly ranked in
both the Nikkei and Institutional Investor surveys.
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Alexander
Kinmont graduated from the University of Oxford with
an Masters Degree in Literae Humaniores (Latin and Greek
Literature and Ancient History). He is fluent in Japanese.
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Interview: March 1, 2004
You studied Classics at Pembroke (Oxford University). How did
you go from literary analysis to finance?
At the time the City was a rather different place. It was considered
not only natural, but in some circles desirable, that a person should
be properly educated even if they were to spend their time involved
with the arcana of finance. The greatest loss London has suffered
as a result of the “Wimbledon” effect is the loss of general perspective
that goes with having the markets dominated by people who are more
or less uneducated beyond narrow competence in technical subjects.
The greatest advantage of classics—I did literature and history—is
that it constitutes a perfect inoculation against the concept of
progress in human affairs. This has important practical applications—for
instance, all that “New Economy” nonsense was credible only to those
trained in technical subjects. No civilized person would fall for
it. But it is also true of classics that it breeds intellectual
arrogance, and thinking oneself cleverer than the market is usually
a quick route to poverty.
How did Japan become the focus of such energies? Was the country
an academic interest or (at the time) just a great place to make
money?
By accident. To be honest I had been interested in Japan as
a child, mainly on the principle that if they didn’t teach it at
school it was bound to be more interesting and worthwhile than what
they did. It also helped that my father was interested in Chinese
and Japanese art (he was an art historian) so we had quite a few
books on Japanese art and architecture around the house. But in
terms of employment, it was really an accident, a result of a Japanese
company’s being the first place to offer me a job!
In 19 December 2002, you wrote a now-famous equity strategy report
entitled “The irrelevance of Japan.” Could you summarize its main
thesis for us?
Ah….what I intended it to say and what it has been understood
to say are a little different. The main idea is that Japan’s post-1998
performance—in market terms, in the area of policy, in the
area of corporate management—has been so poor that the true
scale of its comparative decline within Asia is now on the verge
of becoming explicit.
There is, in the mind of most people concerned with Japan, an implicit
assumption that not only is Japan the centre of attention but that
it ought to be. Yet Japan actually offers nothing, in the way of
a “model” or in the way of an intellectually interesting or important,
perspective, to the rest of the world. This is very different from
the 1980s, when people did look to Japan as a model. I suspect it
is now far less a source of interest to non-specialists than we
realize.
As a result of this implicit bias among specialists, we tend to
see Japan as separate from the rest of Asia and the rest of the
world. My intention in writing the piece was to point out that a
“Japan only” approach was no longer an intellectual invalid way
of considering the question. Nor is it conducive to making money.
What sparked its publication?
A series of things. I spent a lot of time late last year with
my colleagues who cover the rest of Asia. I also went to China for
the first time since 1989. In particular, the contrast between the
energy of Shanghai—which reminded me of Japan in the pre-bubble
80s—and the stagnation of Tokyo was disconcerting. But it
was also a shock to see how big Asian companies more generally had
become relative to their Japanese competitors.
Were you surprised by its reception? With a title like “The irrelevance
of Japan” do you think its message was easily misunderstood by the
majority of Japan watchers?
Perhaps, but it is a constant source of surprise that the reader’s
view of what one has written is not one’s own. At the same time,
stock-broking is a commercial enterprise—and the title determines
whether people read further.
I’m not really sure of the nature of the reaction, beyond the fact
that it appears to have been unusually widely read. This suggests
in itself that some chord has been touched. If it has been misunderstood,
or if a point has been missed, it is that the piece was aiming at
validating a “Japan in Asia” approach and invalidating a “Japan
only” approach, rather than saying anything about the absolute level
of the market in Japan.
In addition, I have problem with “Japan watching” in general. Too
much of it is an attempt to push an ideological line, and too little
of it a genuine attempt to comprehend the country. For that reason
some people have seen the piece as an ideological affront; others
as a personal reproach as it appears to suggest “Japan watching”
has no value and therefore they have no job prospects. It suggests
a narrow view of the world not to be able to see beyond one’s own
interests or ideology.
You write that “today Japan is of no general importance except
as a laboratory experiment concerning deflation.” Isn’t that a bit
harsh? Is Japan really “irrelevant” except for trading (versus investing)
opportunities? How do you make money in Japan?
The point is that the degree of change, or fluctuation, in domestic
reality is so small that one’s playing for peanuts. The only moves
worth playing are those dependent on external changes. This implies
that foreign investors will play the primary, external, move first
and wholeheartedly in their own markets, before playing with the
fag end of the move in Japan.
I don’t think the judgment is harsh. Put differently, it is only
if the US now falls into a Japanese-style post-Bubble depression
that Japan will recover general relevance. If Japan becomes a “model
case” that can be used to illuminate the US predicament, then practically
minded people will be interested again. If not, even though we specialists
might remain interested, practical people will give up and move
on.
As for the markets, the absence of real investing is not new. It
is a natural consequence of “Japanese style management”. Management
is not interested in returns, so the fluctuation in returns is essentially
accidental, and based on external, macro, variables. Taking the
market on its own terms is the important thing. Trying to impose
some sort of view of what it ought to be is dangerous. The market
is not for investing but for trading.
You compare the Japanese government’s “intellectual sterility
and incompetence in elite circles” to 1960s and ‘70s Britain: could
you elaborate a bit further? What specific examples come to mind?
An English childhood in that period leaves all sorts of dim
memories of the trauma that attended decline—really how difficult
it was for educated people to comprehend that the world had moved
on. Rereading the history of the period, one is struck by how stale
the debate appears. Today’s Japan echoes that period.
Intellectual sterility is nowhere more in evidence than in the debate
over monetary policy. According to the current orthodoxy, monetary
easing will not work at all, because deflation is allegedly not
a monetary phenomenon. But the same people who say monetary policy
cannot work argue that monetary easing cannot be tried because successful
monetary easing would refloat companies which deserve to die. So
which is it? On the one hand the effectiveness of monetary policy
is being denied; on the other it is being asserted.
Another example is the absurd degree of interest taken in keeping
bond prices from falling. Unless interest rates rise there can be
no recovery. This does not mean that raising interest rates would
engender recovery—another entirely fatuous view one often
hears in domestic circles - but that a change in real growth and
inflation expectations sufficient to cause bonds to be re-priced
is the definition of a recovery.
The BoJ claims monetary policy cannot work; the MoF claims fiscal
policy cannot work; the FSA claims it cannot force reclassification
of loans. This sort of bureaucratic passing the buck is natural.
But it reduces the intellectual quality of the debate enormously.
While the comparison to 1960s and ‘70s Britain is indeed a bleak
picture, this seems to suggest that there are possibilities for
a revival of sorts, as Britain experienced its Big Bang in the 1980s.
What about Japan? Granted the country had its “Big Bang,” but given
Britain’s success in reviving its financial industry, is there realistic
hope for a creative and energetic government in Japan or does the
comparison break down at some point?
I would like to think that Japan will recover, but I am keeping
an open mind. I should also say that I hold equivocal views on Britain’s
post-1979 performance. One aspect of that recovery which today receives
little attention is the vulgarity in which the country has been
engulfed.
There is nothing in Japanese history or culture that condemns Japan
to marginalization or decrepitude. There are a lot of micro changes
occurring today which, given the right zeitgeist, could be harnessed
to promoting a recovery. But the obstacle remains the ruling class—a
ruling class which persists in a semi-feudal view of its own populace.
For instance, the suggestion that consumption is weak because “people
have everything they want,” is somewhat reminiscent of the “let
them eat cake” view fashionable in late 18th century France.
I hold the unfashionable view that the Japanese state (a concept
separate from the nation) is weak; it is afraid of its own people,
because at a fundamental level it enjoys no legitimacy. Weakness
leads it into bullying bribing and cajoling its people. When I imagine
the Japanese state embodied in a human form, I imagine Mussolini
strutting and flouncing on his balcony. The potential positive in
the current situation is that ordinary people don’t care anymore
about what the state does or says. This is an important step along
the way to a change, but I suspect revival is going to take many
years.
What is China’s role in all this? You write that “China constitutes
a force that changes Japan.” Could you elaborate?
Chinese growth will return the country to a position of dominance
in Asia. It already has the nuclear weapons, the seat on the UNSC,
the outer trappings of power. Economic modernization completes the
picture.
It is also the beneficiary of the magic combination that Japan once
enjoyed—open access to the world’s trading system and a fixed
exchange rate. As Japan showed in the 1950s-70s this is an unbeatable
combination. Look at what happened to the manufacturing base of
old, hide-bound economies in that period.
Japan today looks like the UK of the period when Japan was today’s
China. Ultimately people get upset with relative decline, but the
form their reaction takes can be broadly positive, as it appears
to have been in the UK, or it could be very unpleasant and volatile.
Benign leadership will be necessary to allow Japan to adjust to
the change in its regional status that is just on the verge of becoming
explicit.
The scale of the policy challenge now faced by Japan can be likened
to that which faced China when it opened up to market forces.
You mention that Brookings Institute closed its Japan operation,
and that an “informed opinion on Japan is no more than a luxury.”
What then, in your view, does the general investor need to know
about Japan?
That the best way of making money is to do in Japan what one
is doing elsewhere. For instance, if one likes steel stocks in Europe
and the US, one should also buy them here. Almost all moves of significance
are global or externally derived. So treating Japan as entirely
different is usually a mistake.
You also write that “the justification for much of today’s inefficiency
is that it represents ‘a Japanese way of doing things.’ Left unspoken
is the codex to this sentence, the observation that “it is Japanese
and not American.” Do you really think that it is simple “psychology”
and pride that is allowing Japanese inefficiency to continue? How
much does culture matter?
Culture matters to artistic endeavors. It matters not at all
to the organization of the economy or of companies. Unfortunately
post-1960 Japan (the Ampo Riots) was left with very little in the
way of cultural totems commanding general respect and slid very
easily into the slap-dash habit of thinking about economic or corporate
organization as a matter of culture.
There is nothing uniquely Japanese about the current economic structure.
Where in Japanese cultural history is there any suggestion that
Japan’s ROE should be low? Yet people deprived of other methods
of constructing a collective identity can easily be persuaded that
certain forms of corporate activity have a cultural content.
It is quite easy for this to present itself as a question of them
and us. This confusion has become a serious obstacle to getting
companies and the economy going again. My suspicion is that releasing
people to imagine themselves in terms more deeply textured than
as mere contributors to the creation of Japan as an economic superpower,
or as corporate functionaries, would allow for far more thoroughgoing
economic reconstruction.
Running with the psychology theme, we thought we would ask a
few questions to illuminate (a) the psychology of Japan and (b)
the psychology of Alexander Kinmont. Our tool is the standard Rorschach
test with a spin. Basically, we show you a few ink blots and you
tell us the first thing that pops into your head.
Here’s our first ink blot—what’s your
first reaction?
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Answer:
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Despair—the
absurd and unnecessary waste of a people’s potential.
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Our second ink blot is this: Quickly, what do you see here?
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Answer:
a) Gaijin credulity knows no bounds; b) the market always bites
back;
c) the world of shadows breaks cover.
Our third image strikes a little closer to home. See anything
in the tea leaves?

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Answer:
If there’s nothing to vote about, why vote? The population is
far more rational than many would wish to believe. Since the Ampo
riots there’s been essentially nothing to discuss at the higher
levels of politics. Perhaps Mr. Kim will change this.
Our fourth ink blot is a combination of two images. When you
stare into these images, what do you see for the future?
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Answer:
Yesterday’s
man.
A correct interpretation of the Koizumi period, however, would also
give him credit for introducing the worst elements of ‘media age’
politics into Japan.
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Our
next set of questions are word/phrase associations. Basically, we say
a word and/or phrase and you tell us the first thing that pops into
your head:
-Real estate prices?
The least unattractive asset class in Japan
-GDP? Stagnation
-Bond Market? Tells the truth….no chance of deflation ending
soon.
-Eamonn Fingleton? Erik von Daniken
-Bamboozled? Unfortunate
-Japan Revisionism Not the sort of mistake a civilized person
makes
-FSA Minister Heizo Takenaka The corrupting attraction of power.
A prime example of the rule that scholars should remain scholars and
leave the world of power to the politicians.
-Structural reform A political distraction – all about LDP factional
squabbles. Easy to discuss in abstract, but who has the right to tell
another country’s inhabitants how they should run their affairs?
-Best books on Japan? I’m tempted to say Midnight in Sicily,
a book about Italy which a number of people knowledgeable about Japan
have read with surprise that everything is so similar. Of the books
actually about Japan, my personal favorite is The Nobility of Failure
by Ivan Morris. His The World of the Shining Prince is also
excellent and Ian Buruma’s work is uniformly good.
At a more professional level, I like, for a variety of reasons, the
work of Ide Masakazu, Okazaki Tetsuji and 1940nen taisei by
Noguchi Yukio.
At a narrower level still, the two pieces that “get it right” are Joseph
Dodge’s valedictory address in the Hibiya Public Library (“the extension
of bank credit cannot indefinitely be substituted for the normal processes
of capital accumulation”) and Nichigin ya Okurasho no Ocho no bunsek”
by Sakakibara Eisuke and Noguchi Yukio (“the preservation of wartime
financial controls, together with the failure of the Occupation authorities
to reform the financial sector extensively, proved to be of decisive
importance in determining the pattern of Japan’s economic expansion”).
That’s all you need to know, really.
-Worst books on Japan? Oh dear… .bad books are far too numerous
to mention. It is still possible to make statements about Japan which
are factually incorrect without fear of contradiction. Almost anything
sailing under the colors of “revisionism” is essentially worthless,
but especially rotten are those books which allege that we are being
deceived by inscrutable Orientals.
OK—our question that we ask all our subjects. What are you reading
right now?
Volume 2 of A History of Sicily by D. Mack-Smith. I am also just
starting I Vicere by De Roberto, but as it’s in Italian I need
a dictionary too often to call it reading.
What book on Japan needs to be written? Will you be writing it?
There are three problems that need to be addressed.
First, the great weakness of commentary on Japan is that it is written
in a vacuum. When comparisons are made they are usually with the US.
But given that the US is itself such an unusual case in most senses,
this sort of comparison is of limited value. The more general idea that
intellectual constructs found to be of utility elsewhere can be applied
profitably in diverse circumstances is absent. So Japan is treated as
if utterly different, even when useful conceptualizations are already
available.
The correct comparison seem to me to be with Italy—that is, in
so far as any comparison is valid. But I admit that this use of Italy
is as a figurative and atmospheric key to unlock deeper insights, rather
than as a straightforward comparison.
Second is tone. It is possible to love something which has flaws. In
writing about countries other than Japan, writers convey a deep appreciation
both of that country’s failings and of its qualities. This balance is
absent in much work on Japan.
Third is the most difficult. I can only approach it with reference to
Italy. We know, because of the work of the Palermo Prosecutors and the
Andreotti trials, a very great deal about the true nature of politics
in pre-1992 Italy. We know that the surface presented to the world was
no more than a theatrical production.
We do not yet have the hard facts here in Japan. But, using ‘know’ in
a slightly different sense, we know enough to be able, like Pasolini
in 1974, to say: Io so. Ma non ho le prove. Non ho nemmeno indizi.
(I know. But I do not have proof. I have no clues.)
Such is the state of affairs today in Japan. A careful observer can
see from time to time where the shadow world obtrudes, and can impose
a pattern upon those developments, yet can prove nothing. Without descending
into the depths of dietrologia, it is hard to write usefully
about Japan without reference to this facet of national life, yet in
mainstream comment it is marginalized and ignored.
As for writing, the grimmer, deeper, reality of the situation can only
be grasped by an artist (as was argued by Pasolini and Sciascia). While
dimly aware of that reality, I am not sure I am artist enough to grasp
it or convey it. Yet, at the same time, I would be unsatisfied to be
able to offer a merely factual account of what we know. For that reason
I have written nothing.
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